The Creative Works Award was established to recognise major creative works, including art works, performances, productions, compositions and architectural designs produced by UCT staff.
The award may be made to jointly-produced creative works. However, in the case of jointly-produced works in which non-UCT persons are involved, the UCT person should have made the most significant contribution. Most of the work should have been done during the producer's time of employment at the university.
Creative Works Award 2017
Associate Professor François du Toit has won this year’s Creative Works Award for the Five Beethoven Concerti, played on two consecutive nights with the Cape Town Philharmonic Orchestra. He described the six-month preparation (five to six hours daily) for the 90-minute concerts as being like “practising for a marathon”.
Associate Professor Jay Pather, director of the Gordon Institute for Performing and Creative Art, re-imagines Shakespeare’s Julius Caesar by creating a theatrical spectacle that includes directing, choreography and cabaret and bringing it to bear on the current state of the nation.
Professor Mark Fleishman received the award for his long-running production, Every Year, Every Day, I am Walking. The mostly wordless play traces a fleeing child and her mother's trek from an unnamed and violence-riddled Francophone African country, to Cape Town, where the family struggles to settle. Through the eyes of the young girl, global audiences since 2006 have been shown a slice of the battles that the largely invisible migrant community in Cape Town fight continually. It's a story about being violently displaced, the agony of perpetual movement, and the cruelty of hope.
Assoc Prof Johann van der Schijff received the award for his catalogue Community Punching Bag. Van der Schijff is a senior lecturer at the Michaelis School of Fine Art where he teaches new media in the undergraduate degree as well as doing postgraduate supervision. His sculptural/new media works have been exhibited nationally and internationally. His research interests are in the areas of computer-aided design and manufacturing techniques and the design of interactive systems. He says that growing up in South Africa and living in a violent country and continent, questions of power relations in society underlie much of his work, forcing the viewer into a position of choice in their engagement with his artworks.
Emeritus Professor of history of art, Michael Godby of the Michaelis School of Fine Art received the award for The Lie of the Land - Representations of the South African landscape, an exhibition he curated in 2010 and 2011. The project included scholarly essays on literary, cultural, political and environmental aspects of the South African landscape. It was carefully designed to showcase and celebrate a vigorous tradition of South African art, not only engaging with the role of land through South African history, but also clarifying the changing stylistic strategies for representing land at different points in South Africa's history.
Professor of sculpture Gavin Younge of the Michaelis School of Fine Art, received the award for his 2011 solo exhibition Cheval de Bataille, a project commissioned by the French Monuments Council and which was housed in the Forteresse de Salses, a fortress in France that has run a vigorous contemporary art programme for many years.
Professor Michael 'Jo' Noero, of the School of Architecture, Planning and Geomatics was awarded the prize specifically for his design of the Red Location Museum of Struggle, located in Red Location, New Brighton, in the Eastern Cape. One of the oldest settled black townships of Port Elizabeth and a prominent anti-apartheid struggle site, Red Location has been the home of some of the country's leading political figures.
Associate Professor Fritha Langerman of UCT's Michaelis School of Fine Art won the inaugural Creative Works Award for her work Subtle Thresholds. The exhibition, which was a curated mixed-media work with objects from the collections of the South African Museum and the University of the Witwatersrand's Adler Museum, had as its themes the classification of disease and the representation of speciation.